Charger and Pine Gadget, 2024, Tube, Epoxy, Sand, Graphite, Champagne Chalk , Steel, Tin, Shelf Legs, Variable Dimensions, Zirka Space Munich (DE), A Little Bit of Solidarity Goes a Long Way
NREM Mat, 2023, Silicone, Graphite, 80 x 200 x 0.7 cm, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
NREM Mat, 2023, Silicone, Graphite, 80 x 200 x 0.7 cm, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
L.O.D, 2023, Steel, Aluminum, Silicone, Plaster, PLA, Epoxy, Lacquer, Metal Powder, Industrial Grease, Wire, Tin, Flashlights, Variable Dimensions, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
L.O.D, 2023, Steel, Aluminum, Silicone, Plaster, PLA, Epoxy, Lacquer, Metal Powder, Industrial Grease, Wire, Tin, Flashlights, Variable Dimensions, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
Untitled (Cards), 2023, PLA, Metal Powder, 6,6 x 11 cm, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
L.O.D, 2023, Steel, Aluminum, Silicone, Plaster, PLA, Epoxy, Lacquer, Metal Powder, Industrial Grease, Wire, Tin, Flashlights, Variable Dimensions, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
L.O.D, 2023, Steel, Aluminum, Silicone, Plaster, PLA, Epoxy, Lacquer, Metal Powder, Industrial Grease, Wire, Tin, Flashlights, Variable Dimensions, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
L.O.D, 2023, Steel, Aluminum, Silicone, Plaster, PLA, Epoxy, Lacquer, Metal Powder, Industrial Grease, Wire, Tin, Flashlights, Variable Dimensions, Gedunkelfloxx Obsidian / Steirischer Herbst – Humans and Demons 2023
Another bite, dreams, chopped into pieces, Epoxy Resin, Sand, Champagne Chalk, Artificial Teeth, 2023
Rac Vex, Silicone, 2023
Kornfeld, 2022, 29 x 21 x 27 cm, Wheat Ears, Paint
Gaining a sense of getting well 1, 2022, 219 x 96 x 18 cm, Shower Curtain, Stainless Steel Ball, Paint, Aluminium, Solder, Laser, Engravings
Markus Sworcik & René Stiegler, Spillover, 2022, Variable Dimensions, Steel, Stainless Steel Arrow Broadheads, Steel Nuts, PLA
Markus Sworcik & René Stiegler, Spillover, 2022, Variable Dimensions, Steel, Stainless Steel Arrow Broadheads, Steel Nuts, PLA
Heavy Metal Song 1, 2022 , Unreal Engine, Text-to-Image Photography, Sound, ca. 6:38 min
Heavy Metal Song 1, 2022 , Unreal Engine, Text-to-Image Photography, Sound, ca. 6:38 min
Gaining a sense of getting well 1, 2022, 219 x 96 x 18 cm, Shower Curtain, Stainless Steel Ball, Paint, Aluminium, Solder, Laser Engravings
Gaining a sense of getting well 1, 2022, 219 x 96 x 18 cm, Shower Curtain, Stainless Steel Ball, Paint, Aluminium, Solder, Laser Engravings
Kornfeld, 2022, 29 x 21 x 27 cm, Wheat Ears, Paint
Voting for the axe, 2022, 107 x 24 x 8 cm, Resin, Steel, Polymer Clay
Voting for the axe, 2022, 107 x 24 x 8 cm, Resin, Steel, Polymer Clay
Voting for the axe, 2022, 107 x 24 x 8 cm, Resin, Steel, Polymer Clay
Markus Sworcik & René Stiegler, Spillover, 2022, Variable Dimensions, Steel, Stainless Steel Arrow Broadheads, Steel Nuts, PLA
Pile of Claws, 2022, 25 x 24 x 6 cm, Resin, Stainless Steel Screws
Markus Sworcik & René Stiegler, Untitled (y), 2022, 51,5 x 16 x 7 cm, Dried Flower, Latex, Waterslide Decal Foil
Vexing/Spike 1, 2022, 103 x 68 x 0,4 cm, Silicone
Vexing/Spike 1, 2022, 103 x 68 x 0,4 cm, Silicone
AR35ghT, 2022, 199 x 7,5 x 11 cm, Aluminum, Steel, Polyethylene, Polymer Clay, Iron Wire
AR35ghT, 2022, 199 x 7,5 x 11 cm, Aluminum, Steel, Polyethylene, Polymer Clay, Iron Wire
Flashlight Quest, 2022, 21 x 7 x 5 cm, Flashlight, Polymer Clay, Aluminum, Simcard Holder, Resin, Paint
Flashlight Quest, 2022, 21 x 7 x 5 cm, Flashlight, Polymer Clay, Aluminum, Simcard Holder, Resin, Paint
Flashlight Quest, 2022, 21 x 7 x 5 cm, Flashlight, Polymer Clay, Aluminum, Simcard Holder, Resin, Paint
Maybe it Raptures, 2021, Various Dimensions, @Büro für Pessimismus
Maybe it Raptures, 2021, Various Dimensions, @Büro für Pessimismus
Maybe it Raptures, 2021, Various Dimensions, @Büro für Pessimismus
And Again, all these Corners and Folds are Pretty Grey, 2020, Various Dimensions, @Atelier im Schwimmbad
And Again, all these Corners and Folds are Pretty Grey, 2020, Various Dimensions, @Atelier im Schwimmbad
And Again, all these Corners and Folds are Pretty Grey, 2020, Various Dimensions, @Atelier im Schwimmbad
And Again, all these Corners and Folds are Pretty Grey, 2020, Various Dimensions, @Atelier im Schwimmbad
GEDUNKELFLOXX OBSIDIAN >
Cooperation with RENÈ STIEGLER comissioned by STEIRISCHER HERBST 2023 > HUMANS AND DEMONS in GRAZ, AUSTRIA from 21.9.24 until 15.10.24
Uncertainty is killing me - though I read as much as I am willing to at this given moment, still I turn myself in the dark. I don’t know enough, I tell myself (Ref. Freud, Das Unheimliche) — asking foreign aids for relieving answers. Still going, going around in circles, reaching the same places day after day in search of a witch. I feel like I am my own sculptor and spectator, rendering not in clay or marble, but in the intangible substance of reverie I create.
I am so glad you’re happy and laughing, careless as ever, even though you lost a leg in these recurring fights in the past. This won’t last, I promise. If it does, believe me, it would feel glitchy… after all that’s what I’ve read. Because syntax is better for eternal love and forgiveness, though I am pleading for procrastination and denial. That's why I am levitating in supposedly heimelig surroundings all night. I see myself lying in bed, looking down, tapping triangulars while having the tv on, playing a movie about a murderdoll. Me almost like a disruptive entity — Not really grasping, more converging.
𝒢𝑒𝒹𝓊𝓃𝓀𝑒𝓁𝒻𝓁𝑜𝓍𝓍 𝒪𝒷𝓈𝒾𝒹𝒾𝒶𝓃 manifests as a dissonant echo in the structure of familiar yet paradoxically comforting realms, in the everyday. It embodies an enigma, a cryptic sensation that delineates a clash of fleeting forces. This phenomenon subtly infiltrates known landscapes – those pathways we tread in contemplation, or the mesmerizing venues that ensnare our senses – only to introduce a disquieting anomaly, an amorphous spirit condensing a nebulous darkness. Despite its ominous presence, it contains a deceptive allure, its shine a paradoxical siren call reminding of its presence even when not visible.
Yet, why does this entity manifest? It stands as a symbol, a sign of numerous unwelcome and unsettling realities, asserting itself with an unapologetic assertiveness. This entity possesses the serenity of natural havens: a grassy glade alive with a flock of insects in sunlight, a nocturnal forest draped in lunar serenity, or even the mundane normalcy of a residential driveway. What lingers in the psyche of the beholder are fragmented visions, ephemeral reminders of an unsettling occurrence that has scarred the landscape of consciousness time and time again.
𝕽𝕾𝕸𝕾
The 𝔏.𝔒.𝔇 or Level Of Detail (degree of completion or geometric level of detail and level of information) defines the necessary information content and level of detail of digital building models and components.
What is a Late-Onset Disease (𝔏.𝔒.𝔇)? Definition. Pathological conditions (Disorder, SYNDROME, or DISEASE) whose SIGNS AND SYMPTOMS manifest late in the life of an individual.
Linked Open Data (𝔏.𝔒.𝔇) refers to freely available data. Open networked data are all datasets that are made freely accessible without any restrictions for free use, redistribution and reuse in the interests of the general public.
Photos by Markus Sworcik, René Stiegler, Steirischer Herbst.
Groupshow — 13.05.2023
Postgarage Graz (Lotus Eclat S1), Graz, Austria
Curated by Markus Sworcik and René Stiegler
Photography: Manuel Schaffernak
(1) Crash, David Cronenberg